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Martone selected for second historic restoration project at CCRI 1024 678 Martone Inc.

Martone selected for second historic restoration project at CCRI

Providence, RI, March 10, 2017 – Martone, Incorporated announced today that the Community College of Rhode Island (CCRI) has selected the firm to manage the interior restoration of the College’s President’s House.  This will be the second time that Martone oversees restoration work on the historic Federal and Greek revival home, which was built in 1830, and bequeathed to the campus as part of the Knight Estate.

“We’re thrilled to continue our partnership with CCRI,” shares founder Michael Martone.  “We strive to earn the high satisfaction of our clients, and appreciate the College’s continued trust in the quality of our work, and our team.”

Previously, Martone focused on the exterior restoration of the building.  Highlights of the new project include:

  • Re-wiring and modernizing of mechanical, electrical, plumbing and fire protection systems
  • Restoration of all windows, interior plaster and interior wood surfaces
  • Renovation of 3 bathrooms to meet ADA compliance

 

The project is slated for completion by August 2017 in time for the start of the next academic calendar.

About CCRI:
Founded in 1964, the Community College of Rhode Island is a non-profit educational institution with nearly 18,000 students enrolled at six campus locations across the state.  The College offers programs in academic and vocational-technical areas as well as a full complement of programs and services for full and part-time students, for recent high school graduates and for older, adult learners.  To learn more, visit:  ccri.org.

About Martone, Inc:
Founded in 1996, and based in Narragansett, Rhode Island, Martone is a recognized leader in managing complex construction, restoration, painting and coating projects across a range of commercial, industrial and residential applications. For further information, please visit: martoneinc.com.

Martone Wins National Preservation Achievement Award 1024 678 Martone Inc.

Martone Wins National Preservation Achievement Award

Providence, RI, February 20, 2017 – Martone, Incorporated announced today that it has been awarded the national 2017 Commercial Restoration Interior Award from Painting & Decorating Contractors of America (PDCA) for the firm’s work on the restoration of the Rhode Island State House dome.  The prestigious award is bestowed annually to honor outstanding achievements in historic preservation nationwide.

“It’s an honor for Martone to receive this recognition,” shares founder Michael Martone.  “We are so proud to have been tasked with the complex restoration of the nearly 70-year-old mural atop our State House, and will always be grateful that this impressive building now plays a role in our own legacy.”

Historic Significance
The Rhode Island State House is the most magnificent building in Providence, Rhode Island. It boasts the fourth largest unsupported marble dome in the world, behind Saint Peter’s Basilica, the Minnesota State Capitol, and the Taj Mahal. Built between 1896 and 1904. The building is 333 feet in length, 189 feet in height, and contains an astounding 327,000 cubic feet of white Georgia marble.

One of the crown jewels of the historic landmark is the large mural which spans the entire dome on the building’s interior. Titled “The Four Freedoms”, the mural depicts Rhode Island’s early history, and was completed in 1947.

Project Scope
Martone’s historic restoration project originated when a roof hatch was inadvertently left open.  The mural suffered substantial water damage from above, causing the paint to peel in many areas. Portions of the sky and clouds, as well as three figures in the mural, were all but gone. The gilded molding that circles the top of the dome was also in dire need of repair.

The scope of surface preparation for the project was significant, and began with the installation of massive scaffolding.  Due to the sheer magnitude of the building as well as historical significance, the project required scaffolding that reached just under 200 feet to the top of the dome.  It was engineered freestanding to ensure the existing marble would be not be disturbed or damaged.

The project comprised of removing deteriorated plaster, and creating new plaster molds to duplicate originals; conservation cleaning, reattaching historic paint, and applying conservation clear; restoring gold in the moldings, medallions, and surrounding the oculus; and scraping, sanding, priming and painting missing pieces back into the mural to match the original artist’s muted color palette and staccato brush work.  Multiple historic references and photographs were used throughout.

Overcoming Challenges
From the beginning, the project was time sensitive.  To fit the State of Rhode Island’s legislative calendar, work could not start until the legislative session ended on September 18, 2016. It was to be complete by Thanksgiving in time for a ceremonial Christmas tree lighting in the center of the rotunda.

Once scaffolding was erected and Martone had the opportunity to thoroughly inspect the dome, it was clear that the damage was significantly worse than anticipated.  The scope evolved to include conservation cleaning, reattaching of historic paint, and the application of conservation clear.  However, the completion date could not be changed.

To meet the demanding schedule, Martone utilized the talents of several artists who work at the firm, and engaged noted conservation preservationists Charles C. Clear III and Richard Pawlack to augment resources. Working double shifts and over weekends also helped to close the gap.

The project was completed on time – in 120 days – to the satisfaction of stakeholders and the legislative community.  “We are extremely pleased with the work and professionalism of the Martone team,” notes Dane Kwiatkowski, Project Manager, State of Rhode Island.  “Given the complexity of the project, and significant obstacles and challenges that were overcome within a very tight timeline, we couldn’t have asked for a better partner.”

Developers, designers, contractors, preservationists and other craftsman will gather to recognize all award recipients at the 2017 PDCA national awards ceremony which will take place during the association’s annual Painting & Decorating Expo on February 25, 2017,  in San Diego, California.

About PDCA:
A non-profit organization founded in 1884, PDCA represents the interests of professional painting and decorating contractors nationwide. Among the most prominent objectives of PDCA is to lead the industry by providing quality products, programs, services, and opportunities essential to the success of its members. Today, PDCA represents the interests of over 5,000 owners and top-flight managers from more than 2,500 painting and decorating firms across the U.S. and Canada. Learn more at:  pdca.org.

About Martone, Inc:
Founded in 1996, and based in Narragansett, Rhode Island, Martone is a recognized leader in managing complex construction, restoration, painting and coating projects across a range of commercial, industrial and residential applications. For further information, please visit: martoneinc.com

Restoring Historic Plaster: A Simple, Yet Versatile Material 1024 678 Martone Inc.

Restoring Historic Plaster: A Simple, Yet Versatile Material

About the Project
St. Joseph’s Parish is in West Warwick, Rhode Island near the Pawtuxet River, which famously provided the water power that attracted early American industrialists to build textile mills along its shores.  St. Joseph’s was constructed to serve the growing population of Roman Catholic immigrants, who were drawn to the area by the promise of mill jobs nearby.[i]

Built in 1870, and like many landmarks of its time, St. Joseph’s features a Federal architectural design.  The interior of the church was constructed using plaster produced and installed through traditional methods brought to America from Europe. Our job is to restore the plaster to its original state, matching the historic appearance.

Historical Context
Together with skilled masons and carpenters, plasterers and ornamental plasterers saw their trade flourish from the mid-18th century until the depression years of the 1930s.[ii]  During this 200-year period, plaster was used extensively in the construction of walls, ceilings and decorative architectural flourishes. No surprise, given that plaster provided an extremely versatile and durable material. It’s strong, breathable, fire resistant, and reduces sound transmission.  Plaster can be applied over brick, stone, half-timber, or frame construction. And, it can be molded, cast, incised, colored, stamped or stenciled. However, while the strength of plaster is evidenced by the durability of centuries-old structures — as an integral part of the building system, plaster is subject to the typical problems of water intrusion, structural movement, vibration and insensitive alterations.

Replace or Restore
Today, owners of period properties face the issue of deteriorating or decaying plasterwork. Replacing plaster is costly. The good news? Wholesale failure is uncommon unless a building has been abandoned and/or roofless for some time. Difficulties most often stem from outside agents such as water penetrating the walls, or the decay of timber lathing or floor and ceiling structures.[iii]  Correctly identifying and addressing these underlying issues is key to reducing the repairs needed, and total project costs.  Not to mention, restoration techniques enable the preservation of buildings and materials that chronicle our heritage.

Cause and Extent of Damage… Govern the Solution
At St. Joseph’s, Martone began with a careful study of the existing plasterwork.

The team determined that the initial construction followed a customary system to attach interior plaster to walls and ceilings.  This consisted of 1/4″ x 1-1/4″ wooden lathing strips nailed 3/8″ apart against studs and joists. Then, a scratch coat consisting of sand, lime, and cattle hair was troweled on the lath and pressed through the slots so as to slump over and form “keys.” Next, a brown coat was applied to establish flat and plumb surfaces. Finally, a third or finish coat was applied that consisted of both lime and gypsum. Decorative units were the attached to the substrate using plaster as an adhesive.[iv]

To the delight of the Parish Board, we also found that the plaster at St. Joseph’s exhibits mainly cosmetic damages from building movement over the years, along with some deterioration from minor water infiltration.  The structural integrity is sound so that cracks, holes, and bowed areas can be repaired without the need for wholesale demolition.  Our team will focus on patching cracks, repairing holes, re-plastering missing pieces and repainting to match the color and texture of the original surface.

And, We’re Under Way!
For an active Parish like St. Josephs’s, our findings were especially well-received… which led immediately to the next project challenge.  How fast could we get it done?  Excerpts of Father Stowe’s message in the parish bulletin tell our story best…

The church was emptied after the 11am Mass last week.  Once cleared, the cracks in the plaster looked a little bigger. I thought, “How in the world is this going to be done in two weeks?” Fast forward to Monday morning.  Mike Martone and his men have been in full swing. Their hard work, expertise, communication, and efficiency are impressive.  Within a twenty-four-hour window, I was thinking, “Will they even need two weeks?”  

Author’s Note
While the findings at St. Joseph’s Parish are not always the case, we’ve found from our experience managing numerous similar restoration projects that historic plaster is a high-quality building material that can be repaired rather than replaced more often, than not.   Often while offering a more cost-efficient solution, and the opportunity to maintain the historical authenticity of a treasured space.

[i] Rhode Island Historical Preservation Commission, Historic and Architectural Resources of West Warwick, Rhode Island: A Preliminary Report, 1987, pp. 19, 87

[ii] Flaharty, David, Preservation Brief No. 23, National Park Service, U.S. Department of the Interior, October 1990

[iii] Bolton, James, Conservation of Architectural and Archeological Heritage, 25 April 2012

[iv] ibid